Killed for the Word, Forgotten in the Shadows: How a 19th-Century Painting Exposes Our Contemporaries

Смерть Ацерна, Вільгельм Леопольський, Себастьян Кленович, Національний музей у Вроцлаві. Collage by Olena Zelenina  at the Gromada Group Media
Collage by Olena Zelenina.

You know, there are canvases that act as a mirror through the centuries. You look at them and suddenly realize: the scenery, costumes, and technologies have changed, but human meanness, fanaticism, and conformism have remained exactly the same.

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